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Recently Asked Questions (RAQs)

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Question Submission Date
Hardening the Target In the Face of AI Bots

[This question came to use in response to the RAQ Does the Rise of AI Mean Public Libraries Should Stop Posting Policies to Ensure Security?, where a footnote said “It is possible we are long past the end of the “open internet,” and more things need to be restricted, both for legal and operational reasons. Hopefully we’ll get a question about that soon, because I have a lot to say.”]

Can we talk about putting things behind a log-in to avoid misappropriation of content? I have pretty much taken this question from the 10/14/25 Ask The Lawyer’s “Does the Rise of AI Mean Public Libraries Should Stop Posting Policies to Ensure Security?” response. It strikes me as an important topic as I recently read the Library Journal September 2025 article “AI Bots Cause Slowdowns, Crashes” (on pages 12-13).

Fan fiction programs at public libraries

I wanted to host a fanfiction writing contest for my teen department, as we have a lot of teens who enjoy writing fanfiction about their favorite characters and fandom. However, I know fanfiction is always a little tricky.

The idea was to set rules and guidelines, such as:

“Respect for Source Material: If using established characters or settings, submissions should honor the original creator’s vision, themes, and tone.

Originality: Plagiarism will result in disqualification. All work must be the author’s own, with clear inspiration rather than direct copying from the source material.”

The prize would be a gift card that was sponsored, not purchased. We wanted to publish these works on a small, local scale—hosted on our blog or website. However, I am starting to think that using public-domain characters and literary works may be the safest option, especially considering they are minors. A secondary question about publishing in general: if they are minors, is parental consent required?

Registering works with the copyright office

When is it advisable for an author/creator to register a work with the copyright office?

I work in higher education. Students will sometimes ask for information on copyright protection for a thesis (written, not performance). Sometimes faculty will ask about protecting various devices of education such as a syllabus, exam or spreadsheet.

The Copyright Office used to promote the idea that works that are fixed do not necessarily need to be registered. When is registration a good idea? What does registration do for copyright holders?